Authors Interviewing Characters : Loren Stephens

Loren Stephens is a published essayist, short story writer and president of two ghostwriting companies, Write Wisdom and Bright Star Memoirs, which she founded to help her client/authors write their memoirs, self-help books and novels. ALL SORROWS CAN BE BORNE published on May 11, 2021 by Rare Bird Books will be her first novel penned under her own name.

What made her decide to write her own novel? She wanted to better understand why her husband’s Japanese birth parents gave him up for adoption and sent him halfway around the world to relatives in Montana, not knowing if they would ever see him again. At the time she embarked on this journey of discovery, she and her husband were married for thirteen years and some of the facts of the story were a secret even to him.

“I spent years conducting background research about the bombing of Hiroshima, the events of World War II and the rebuilding of Japan as well as the immigration policies between the US and Japan, which set up roadblocks to my husband’s parents’ intention,” explains Stephens.  Along with her mother-in-law – her husband’s adoptive mother – she travelled to Japan to meet with his birth mother, still living in Osaka, and to learn as much as she could about the people and events that led to this unimaginable decision.  While many people involved were no longer alive and details were hard to recall, Stephens “took a leap of faith and turned the book into a novel so that I could imagine what might have happened.  I had to rely on instinct and creativity to craft a novel that is inspired by a true story, but reflects the freedom of a writer.”

While working on the novel Loren chronicled her trip to Osaka, Kyoto, and Arashiyama with her husband’s two mothers in a short story entitled, “Floating in Arashiyama,” which was published in The Summerset Review.

Inspired by true events, ALL SORROWS CAN BE BORNE is the story of Noriko Ito, a Japanese woman faced with unimaginable circumstances that force her to give up her son to save her husband. Set in Hiroshima, Osaka, and the badlands of eastern Montana and spanning the start of World War II to 1982, this breathtaking novel is told primarily in the voice of Noriko, a feisty aspiring actress who fails her audition to enter the Takarazuka Theater Academy. Instead, she takes the “part” of a waitress at a European-style tearoom in Osaka where she meets the mysterious and handsome manager, Ichiro Uchida. They fall in love over music and marry. Soon after Noriko becomes pregnant during their seaside honeymoon, Ichiro is diagnosed with tuberculosis destroying their dreams.

Noriko gives birth to a healthy baby boy, but to give the child a better life, Ichiro convinces her to give the toddler to his older sister and her Japanese-American husband, who live in Montana. Noriko holds on to the belief that this inconceivable sacrifice will lead to her husband’s recovery. What happens next is unexpected and shocking and will affect Noriko for the rest of her life.

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Loren Stephens interviews her main character Noriko with the help of her translator, Mitsuko. 

Noriko and I are walking through the bamboo forest in Arashiyama, a train ride from her home in Osaka.  The verdant beauty of the swaying bamboo and the birds chirping in the trees makes this a lovely afternoon – quite a contrast from what she tells me.

Loren: So Noriko, thank you for treating me to a trip to Arashiyama, I’ve never been here before.

Noriko: Later we will go to the onsen for a soak in the indoor baths.

Loren: Naked?

Noriko: It is customary in Japan even amongst strangers like ourselves.  And we have our translator, Mitsuko to explain the rules to you.

I imagined the three little girls from the Mikkado.  Noriko is in her seventies, although she looks much younger and walks with a sprightly gait. In fact, she seems somewhat childlike in her observations about nature – the butterflies, the sun cutting through the thick bamboo, and the two Americans dressed as Rastafarians who were being trailed by a group of curious locals who had never seen anyone quite like them.

Loren: What was it like to live through the bombing of Hiroshima?

Noriko: As you know I was born there. I was at school and we were all ushered to the basement. I waited for an hour in the darkness until my father came and took me home on his bicycle through the streets that were filled with dying people. Black rain fell and our neighborhood was in ruins, but within six months things started to grow in our garden and I went back to school.

Loren: What did you hope to do when you graduated high school?

Noriko: I wanted to be a dancer and singer with the Takarazuka Academy but after all the music and acting lessons my father paid for, I shamed him by being rejected. They said I was too short, and my voice wasn’t strong enough. My best friend made the company which was like salt in a wound. I should have been happy for her, but I wasn’t.

Loren: So what did you do instead?

Noriko: I went to work at my sister’s tearoom in Namba, and I met my husband who was the manager. He was also a self-taught pianist, and we used to perform together just for ourselves – and for an occasional passerby. I remember one night, a beggar pressed his nose against the café window and watched as we sang together. That was our only real audience.

Loren: Did you want to have children?

Noriko: Not really. I was so disappointed that my dreams had been crushed, and I was afraid that something might happen to my baby after I had been exposed to what we learned was radiation.

Loren: But you ended up with a healthy baby boy?

Noriko: Yes, I surprised myself by falling madly in love with my baby son. My husband referred to our unborn baby as “our love child” because I became pregnant on our honeymoon. But soon after  my husband was diagnosed with tuberculosis, so our life was turned upside down.

Loren: I understand that he forced you to give your son away. That must have been heart breaking. How could you have done that?

Noriko: I believed that by giving away my only son, the pressure that my husband felt about being a father, would be lifted and he would recover from his illness. During his confinement at a sanitarium, he was unable to work. The money that I had hidden in a glass jar under the sink disappeared; I thought about opening a checking account in my own name, but I never got around to it. I was too busy taking care of my baby and watching out for my husband whose mood swings were unmanageable. I held the fantasy that my husband and I might have other children although of course no child could ever take the place of my first born.

Loren: Where did your son go?

Noriko: My husband promised him to his sister, who lived in Montana with her Japanese-American husband. I had never met either of them and didn’t know anything about the small town where he was to live and be raised as an American. My husband thought he’d have a better life. He lacked confidence in me that I could be a good mother. Frankly, I was sick a lot of the time as well – exhausted from working to support us, and I wasn’t sure I could take care of both my son and my husband.

Loren: Did your husband recover?

Noriko: He died anyway, and I was left a childless widow in less than a year. I thought I might die.

Loren: What gave you the strength to go on?

Noriko: My religion. I am a follower of Tenrikyo – a sect that was established by a woman who believes that life is joyous, and that by sacrificing for others you will find happiness for yourself.

Loren: And is that what happened to you?

Noriko: Why of course. 

Noriko smiled and then laughed which I had come to recognize as a habit of Japanese who want to cover up their sadness.

Loren: Well thank you for allowing me to interview you, Noriko.

Noriko: And now we go to the baths.

We changed out of our street clothes, sat naked on wooden stools, poured buckets of water over our heads, and then slipped into the tiled onsen for a relaxing soak. Three little girls from school in Arashiyama – Noriko, Mitsuko and me. 

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ABOUT THE AUTHOR:

Loren Stephens is a widely published essayist and fiction and nonfiction storyteller. Her work has appeared in the Los Angeles Times, the Chicago Tribune, MacGuffin, the Jewish Women’s Literary Annual, The Forge Literary Magazine, Crack the Spine, Lunch Ticket’s Amuse Bouche series, The Write Launch, The Summerset Review, The Montreal Review, and Tablet travel magazine, to name a few. She is a two-time nominee of the Pushcart Prize and the book Paris Nights: My Year at the Moulin Review, by Cliff Simon with Loren Stephens was named one of the best titles from an independent press by Kirkus Book Reviews. She is president and founder of the ghostwriting companies, Write Wisdom and Bright Star Memoirs.

Prior to establishing her company, Loren was a documentary filmmaker. Among her credits are Legacy of the Hollywood Blacklist with on camera narration by Burt Lancaster, produced for PBS and nominated for an Emmy Award; Sojourner Truth: Ain’t I A Woman? produced for Coronet Films and recipient of a Golden Apple from the National Education Association; and Los Pastores: The Shepherd’s Play produced for the Latino Consortium of PBS and recipient of a Cine Gold Eagle and nominated for an Imagen Award. She is a member of the Regional Board of the Anti-Defamation League; a member of its Deborah Awards Committee for Outstanding Women; and a member of Greenlight Women, an organization of women in the entertainment industry who serve as mentors. For more information visit https://writewisdom.com/.

Tags: featured, women writers

Category: Interviews, On Writing