Crafting Characters Who Make Your Readers Care By Shannon Hollinger

August 14, 2023 | By | 1 Reply More

Crafting Characters Who Make Your Readers Care

By Shannon Hollinger

Think of a book that made you care, that had you so invested in the outcome that you wanted to cry or shout or throw things when events didn’t go the right way. When you think of that book, what is it that you remember? The setting? The plot? Or the characters?

For me, a good plot keeps me hooked, but a good character makes me feel.

Anne Of Green GablesThe Hunger Games. The gang from Harry Potter.

Would any of these books have such lasting and widespread success if the characters didn’t feel so real to the readers? I don’t think they would. Because these characters feel like someone we know. A friend. An ally. Someone we care about and whose future we’re invested in.

So, what is it about these characters that draws us in? What makes them feel so real?

I believe it’s their quirks. Their vulnerability. Their flaws. They have insecurities, they doubt themselves, they feel anger and shame and sorrow. But they also feel happiness and joy—just like a real person would. Making sure your characters are well-rounded is what brings them to life.

So give them flaws. Make them doubt themselves. Make them feel and think things we’ve all experienced and thought before, something the reader can identify with and have an, “I’ve felt that way too,” moment.

Readers will connect with your characters because they have common ground, but this means that your characters also need to be consistent. Their behavior and personality need to be true to who you’ve developed them to be—the friend that your readers have gotten to know. That’s not to say that the character can’t change and evolve over the course of the story, they can, but you need to include the reader in on the character’s inner journey.

For example, a character who is easy going and forgiving can’t suddenly have a wicked vendetta, and vice versa—a vengeful character can’t suddenly become forgiving—not without you showing the reader how the change came about.

Maybe your MC is a kind, patient, wonderful human being except for that ONE person. And haven’t we all had that person in our life before? That someone who just rubs us the wrong way, even if it’s for a reason we can’t quite pinpoint? 

It’s fine for your character to have that flaw too—you want your characters to be realistic. But just because you know that this is your character’s one person, it doesn’t mean your readers will know. If this is behavior that’s out of character for them, you need to address it somehow.

There are many ways this can be done, including internal dialogue or in discussion with another character, other characters discussing the MC’s uncharacteristic behavior, maybe even in conversation with that one person themselves—have them call the MC out! Then let your readers know how it’s made your character feel, if they’re guilty or triumphant, ashamed or proud, because your readers can’t care if your characters won’t let them.

https://www.bookbub.com/authors/shannon-hollinger?follow=true

With degrees in Crime Scene Technology & Physical Anthropology, Florida author Shannon Hollinger hasn’t just seen the dark side of humanity – she’s been elbow deep inside of it! She finds writing to be a much cleaner way to spend her time than the autopsy suite. Most days it smells better, too.

Her debut novel, the psychological thriller Best Friends Forever, is the first of a five-book deal with publisher Bookouture.

Her short fiction has appeared in Suspense Magazine, Mystery Weekly, and The Saturday Evening Post, among a number of other magazines and anthologies, and her story Lady Killer was a finalist for the 2021 Al Blanchard Award sponsored by the New England Crime Bake.

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THE GIRL WHO LIED

Rain hammers the earth and a vicious wind rattles the trees. Then lightning strikes, the flash illuminating a young girl staggering out of the woods, her brown eyes wide with fright, a silent scream on her lips…

There’s a storm approaching the tiny Maine town of Coyote Cove when Chief Maggie Riley comes across the body of a man, blood seeping from stab wounds into the damp forest floor. As she desperately struggles to secure the evidence before the rain hits, Heather, a local teenage girl, emerges from the woods, shivering and unable to talk.

Maggie, once a high flying big-city detective, lost everything when her four-year-old brother went missing five years ago. Heart-broken, she’s never stopped searching for him: but now she is plunged back into the world she left behind.

The victim, Maggie discovers, knew secrets about everyone in isolated Coyote Cove. It seems there are more local suspects in this case than people she can rule out. And with Heather still traumatised, Maggie struggles to unravel her strange appearance at the crime scene. Until, following a faint, bloody trail deep into the forest, she’s horrified to unearth what the terrified girl’s been hiding…

But when Heather is kidnapped, the battle to identify the killer becomes a race to save an innocent girl’s life. And with the whole town terrified, Maggie is shocked to uncover that this twisted killer is much closer to home than she’d ever imagined. Battling her own demons and memories of her missing brother, how far will Maggie have to go to save Heather? Or will another innocent young life be lost forever…?

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  1. This is such important advice. Too many authors focus exclusively on events and plot and forget to give us a reason to care about what’s happening, and building realistic characters from the inside out is exactly the way to accomplish that. Thanks for the great post!

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