Category: On Writing
The Real Thing: A Conversation with Tina Ann Forkner
In The Real Thing by Tina Ann Forkner, we meet Manda as she learns to be a cowgirl through the ups and downs of her new marriage to a rodeo star, Keith and the specter of his missing ex-wife, Violet. While the ride isn’t always smooth, readers can enjoy how Manda learns to take the […]
Historical Elements of Writing
I can see a cohesive thread appearing in my work, a pattern, if you will. Locations, upon which I wrote a recent post for Women Writers, was always clear, but the historical element is a part of my writing that crept up. A surprise even to me, the author. I can at least pinpoint where […]
I Used to be a Writer
“How about I meet you up at the…ah…the…office at the front? You know, the place with the desk?” My husband responds quickly and kindly. “The lobby?” “Well, sure,” I respond, “but there’s another word I’m thinking of here.” We’ve danced this dance before and he knows I’m not going to drop it until the word […]
Q&A with Allison Winn Scotch
Allison Winn Scotch is the bestselling author of six women’s fiction novels including: Time of My Life (2008), The Department of Lost and Found (2009), The One That I Want (2010, The Song Remains the Same (2012), The Theory of Opposites (2013) which was optioned for the screen by Jennifer Garner’s Vandalia Films (Hurry, Jen!!!) […]
The Fifth Avenue Artists Society
I’m really into genealogy. I think I come by it honestly. My family as a whole is very interested in our history, and once you find one colorful story it’s hard to stop. Granted, I’ve hardly had to search for much—my grandma’s family sort of passes down anecdotes and then routinely talks about them, so, […]
Q&A with Emily Giffin
Emily Giffin needs no introduction for us. We are clamoring for and squealing over her newest title FIRST COMES LOVE. She published seven books before that, all of them New York Times bestsellers. Who bought these books? We did. We know Emily Giffin. We love Emily Giffin. So I’ll make this quick. (Even told quickly, […]
Second Person: Why I Used You In My Novel
Second person address, “I-to-you,” is a fascinating and effective literary device, the most intimate point-of-view there is, but writers avoid it like a death knell. Most editors reject it. Not only that, it isn’t easy to pull off, especially in novel length stories. So why use it? Why have the narrator tell her story to […]
From Poem to Love Story
Whenever I think of the protagonist in my historical novel, Ella Durant, I imagine her brother in a fit of rage in 1903, burning all of her letters, family photos, and any memorabilia having her imprint. It had to be, because there is scant primary material about Ella Durant except for a handful of correspondence […]
Pseudonyms: To Use Or Not To Use
I suppose I should start off by admitting that Elysee Orchidkiller is not my real name. I can hear you groan with disappointment and I completely agree with you. It is such a shame that my parents didn’t think up such fetching names! Why did I choose to publish under a pseudonym? I imagine my […]






























Recent Comments