There Will Always Be Singing; Doris Lessing 1919-2013
‘When I look back I seem to remember singing.
Yet it was always silent in that long warm room.
Impenetrable, those walls , we thought,
Dark with ancient shields. The light
Shone on the head of a girl or young limbs
Spread carelessly. And the low voices
Rose in the silence and were lost as in water.’
Doris Lessing 1919-2013
When a person of great age dies, there are many responses about the richness of their life and how we have been blessed by their presence for so long in our world. Yet for me there was and is profound sorrow at the loss to us of Doris Lessing, Nobel Laureate, author, philosopher and poet. I do not delude myself that my sorrow is one of intimate connection to her, a whole generation of women writers have that connection to her voice.
My connection to Doris Lessing’s writing began in my twenties when I first read The Golden Notebook, I read almost all her work after that. I am unsure of where the gut-tear occurred with my reaction to her work, but here was a writer who did things that I admired. It was difficult to locate her effect on me, but I knew it and recognised it as important to my writing.
Living in the city I often retreat to a small house in Mayo, where my now deceased friend, Michael McMullin, a philosopher and jungian, had retained a library. His Doris Lessings were collected on the top shelf of his library, alongside some images of Chartres Cathedral, and his Yeats collection. Like Lessing he had attained a great age and had a voracious thirst for knowledge, he was born in Ceylon in 1916.
Michael’s assidious collecting of Doris Lessing was winsome, and he often referred to her. His nomadism had taken him from Ceylon, to Cambridge, to escape from Hitler’s invasion of Paris, to Finland, to Canada, and at the end his life, a hillside In the North-West of Ireland. I did not meet Doris Lessing, but I had met in Michael that intellectual and questing spirit that seems to inflame the diasporist writer. It can only be described as a great and humble presence, their being present to everyone who he/she encounters all the time.
Doris Lessing’s death brought back my own recent loss with a punch. I saw the rumours of her death emerging from early Sunday morning and waited to hear if it were true. My decision to go ahead and link the Lessing poems was an urgent need to show people that there was more to her output, although it is sadly unavailable.
Two years ago while re-reading Lessing in the Mayo library awaiting a death, the Lessing poetry began to make me a bit more than curious. On returning to the city, I thought to do some searches of her writing, as I was aware that she like Ted Hughes, had elements of sufism in her writing. I was aware that she had written poetry but couldn’t find much. The place to look for the mythological, esoterical, and philosophical mind of the writer is in their poetic output. Poetry is the revelatory act of participation in the world.
Doris Lessing had written a small collection Fourteen Poems in 1959, published by The Scorpion Press, and she had contributed to the Inpopa Anthology (2002). Her poetry isn’t available online. The Scorpion Press Archive is housed at the McFarlin Library (Special Collections) at the University of Tulsa.
Alison Greenlee, Librarian at the McFarlin Special Collections Library located me a copy of the book in my Alma Mater, University College Dublin. I made an appointment to go in as soon as I could and transcribed a selection of the poems for myself. The next step was to contact Jonathan Clowes Ltd, who are Doris Lessing’s agents.
Olivia Guest at Jonathan Clowes Ltd, Doris Lessing’s Literary Agents, worked on my behalf to bring Doris Lessing’s poetry back online. We corresponded initially by letter and I procured a temporary 12 month licence to add Lessing to my index of women poets. I wanted her to be recognised for her entire body of work and not alone the novels. After the initial permissions to carry the Lessing poetry were given, the first letter went awol and had to be re-issued, I put them up and shared them regularly across multiple social media platforms including FB, Twitter, Salon.
I wrote about the poems on Open Salon. There were 3,000 hits on the poetry over the two blogs. People contacted me to say that they wanted to read the books, that they had no idea that she was a poet, and that they were heartened to see a woman poet of great age appearing on their computer screens, as there is often a problem with having older women visible in the media.
The following year, I sent Olivia Guest a synopsis of the reaction to Doris Lessing’s poetry and we agreed to extend the licence for another 12 months. She was surprised that the reaction to lessing’s poetry had been so widespread and curious. I sent her screenshots of the data and emails regarding the works.
This year of 2013, I again contacted Olivia and reminded her that my licence to carry the poetry was about due to end and that it gave me great sorrow to take the poems off my index, people were always looking for them, they accounted for a lot of searches for women writers, alongside Dorothy L. Sayers and Nelly Sachs.
last week I received an email that made me sadder. Doris Lessing had little confidence in her poetry and her agents were happy to allow me keep them indefinitely because they did not see the possibility of a re-issue.
This is the email :
We’d be delighted for you to host the poems for longer especially if you’re getting such good reactions. Doris Lessing was never very keen on her poetry and didn’t think it was any good so I doubt we will see a re-issue but at least this way, they are available in an alternative form.
Many thanks and best wishes
I wondered then if Doris Lessing knew over these years that I had the poems and that they had caused such a reaction. I still do not know if she did.
Last week I announced on Poethead that I would be retaining the poems for sometime, and that I had received the above letter, blogged it in absolute delight, because it is a small but profound part of her writing jigsaw and it allows us to call her a poet.
To a mind like Lessing’s, death is a transformation and not an ending. Yesterday, after I decided to honour her writing and look again at the story of the poems, I closed up my blog for the day and took a walk with my daughter. When I got home, I saw that there were upward of a thousand hits on the Lessing letters, articles, posts and poems.
Today there is a similar amount building up. People want to know that questing intellect and they are searching. if I could say one thing to Doris Lessing, it would be that her poetry is the source and cause of joy and many, many people feel her loss in this world.
RIP Doris May Lessing X X
Christine Murray is a City and Guilds Stone-cutter. Her poetry is published in a variety of print and online publications. Her poem for three voices, Lament, was performed at the Béal Festival in 2012.
Her Chapbook, Three Red Things was published by Smithereens Press in June 2013. A collection Cycles was published by Lapwing Press in September 2013. A dark tale, The Blind (Poetry) was published by Oneiros Books in October 2013.
Sites That Link to this Post
- There will always be singing; an appreciation of Doris Lessing | Poethead | November 17, 2014
- just click crowire.com | October 18, 2014
- ‘Fable’ and ‘Oh Cherry Trees You are Too White For My Heart’ by Doris Lessing | Poethead | July 9, 2014
- Featuring Women Writers on WWWB 2013 - Women Writers, Women Books | December 31, 2013