NYT Bestselling author Caroline Leavitt interviews Hannah Sward on her award-winning debut, Strip: A Memoir

May 5, 2024 | By Women Writers Women Books | Reply More

NYT Bestselling author Caroline Leavitt interviews Hannah Sward on her award-winning debut, Strip: A Memoir

Living on a carless island with her poet father. Molested at six. A former stripper. A former prostitute. And one of the most moving and honest memoir writers. Hannah Sward talks about STRIP.

Abandoned by her mother, living with her poet father on an island with no cars, and molested at six, Hannah Sward grew up to be a stripper and a prostitute with a taste for drugs. How she got from there to here– being a writer so eloquent, so moving and so brave, that J. M. Coetzee, Nobel Prize winner, called her memoir STRIP “touchingly honest,” is a story in itself. I’m so thrilled and honored to have her here. Thank you, Hannah!

What I love the most about STRIP is your refusal to be beaten down, and your insistence on turning the broken pieces of your life into the whole beauty of this book. (In the acknowledgements you write: this is the book, I was afraid to tell, which makes me adore you.) Tell us how this book came to be, the why now moment when you were ready to tell it?

The now moment came when I could no longer take the angst that gripped me over not writing. It was unbearable. Yet the thought of sitting down to write, pen to paper, just me and that big blank page, that also filled me with terror. It would mean I would need to sit with myself. But the urgency to do so drove me. That was ten years ago beginning with two handwritten pages a day no matter what.

So much of writing is reliving things we’ve gone through, which requires a different sort of bravery. What was that like for you? Did writing about this change you, and if so, how?

It changed me to my core. The process was excruciating. And it was slow. I couldn’t have written it any faster or at any other time because the very process of writing it coincided with my ability to tolerate sitting with myself.

So many things changed. But one of the things was recognizing how dissociated I was. Like writing about the man in the brown car or the sex scenes with the different men. If I was going to capture what it was like, as you pointed out, I needed to relive it. To do that I really had to work on connecting to myself, getting in my body. That was horrible. I hated it. Yet it was crucial to my growth.

I deeply admire and love the structure of the book, short chapters with whole worlds in them, always surprising, always shocking, and yet everything is so alive and breathing on the page, from how you began stripping to drugs to drinking to your own kind of redemption. But some people never are able to reach that point. If you had to pinpoint one thing within you that insisted you would survive all of this, what was it?

I think there was a sense, or maybe it was more of a hope, that one day everything I was experiencing would be material to create something. Like when I was working at the strip club, trying to hold back the tears as I watched my little sister twirl her beautiful self onto the stage. All those men watching her as they ate the lunchtime pizza special.

Or when I was locked in the Murphy bed closet, snorting lines on top of The Sun Also Rises. As painful as it all was, I could feel the thread of humanity within it all. The beauty. Does that make sense?

I keep thinking, and I am probably wrong, that there is a kind of metaphor in the word Strip. You are stripping away any pretense of your life in writing about stripping, among other things, but while doing them, did you feel you were actually adding on protective layers?

Not wrong at all. I do, yes. At the time, I think that what I was experiencing internally felt so unbearable that the drugs were my solution. Which is of course ironic considering drugs are what also took me down. But it was an attempt to escape the feelings that felt like they were going to kill me. That may sound dramatic, but I don’t think I’m alone in that.

What’s your life like now? What things from your travels do you carry with you now?

Gratitude.

I never ever thought I would be able to not hate myself, to be the kind of woman I always dreamed of being. I used to come out of the bathroom at Rite Aid after locking myself in there for hours high. Across the street was the Hollywood Farmers Market where women were buying Gerbera’s and organic basil. Women who wore sandals with painted toenails and women who, when they went to the bathroom, went in and came out in a normal amount of time.

And now, all these years later I am no longer locked in the bathroom at Goodwill getting high or at Home Depot fixated on all the different kind of doorknobs and nails at 3am. God, I loved Home Depot when I was high. And gardening. If you could call it that. Like I describe in the book, it wasn’t so much gardening as it was wrestling with the poor Bougainvillea for hours on end.

It sounds so cliché, but I love myself today. Not every day, don’t get me wrong. I have days, moments, hours where I’m completely off center. But I know my way back home.

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Hannah Sward, daughter of the late poet Robert Sward, is the bestselling author of Strip: A Memoir. Strip won the IAN book of the year award in two categories, was a Readers Favorite and an International Book Award Finalist.

Sward has appeared on NBC CA Live, C-SPAN BookTV and on dozens of podcasts and panels. Her most recent work has appeared or is forthcoming in publications such as LA Times, HuffPost, The Rumpus etc.

Sward is on the board at Right to Write Press, a nonprofit that supports emerging incarcerated writers. This June she will be part of the World Without Exploitation Conference in DC. She lives in Los Angeles where she is working on her next book. To find out more hannahsward.com

Caroline Leavitt is the New York Times and USA Today bestselling author of Days of Wonder, With or Without You, Cruel Beautiful World, Is This Tomorrow, Pictures of You, Girls In Trouble, Coming Back To Me, Living Other Lives, Into Thin Air, Family, Jealousies, Lifelines, Meeting Rozzy Halfway.

Many of her titles were optioned for film, translated into different languages, and condensed in magazines. Many of her titles were Best Books of the Year and Indie Next Picks. A New York Foundation of the Arts Fellow, she was also shortlisted for the Maine Readers Prize, and was a Goldenberg Fiction Prize winner. She recently won an award from the MidAtlantic Arts for portions of her next novel, The Inseparables.

hannahsward.com

IG: @hannahswardauthor

STRIP: A MEMOIR

Born in the bohemian seventies, Hannah Sward was abandoned by her mother, and lived with her poet father on an island with no stores or cars. Kidnapped and molested by a stranger at age six, she grew up to be a stripper and a prostitute with a taste for crystal meth—which seemed to be a sure-fire way to lose weight —with stops along the way for silent gurus, sugar daddies, and drinking in the CVS bathroom before therapy sessions. Painstakingly honest, often humorous, Strip is a heartfelt memoir revealing a woman’s journey from innocence to a dark existence, and beyond it to a world of empowerment.